Production sketch by art director/architect Walter Reimann for The Cabinet Of Dr. Caligari (1920, dir. Robert Wiene)
(via)
(via overcrowding)
Above, poster art for The Golem (1920, dir. Carl Boese & Paul Wegener); below, still from The Golem (via)
Poster art and set design by Hans Poelzig.
(Source: germanexpressionism, via imspeckledlikealeopard)
“This song of the Man and his Wife is of no place and every place; you might hear it anywhere, at any time. For wherever the sun rises and sets… in the city’s turmoil or under the open sky on the farm… life is much the same; sometimes bitter, sometimes sweet.”
Sunrise: A Song of Two Humans (1927)
(via the-powells)
Sunrise: A Song of Two Humans (Friedrich Wilhelm Murnau, 1927)
Cinematography by Charles Rosher and Karl Struss.
This is what my friend Mar and I call “the russian close-up”.
Sunrise: A Song of Two Humans (Friedrich Wilhelm Murnau, 1927)
Cinematography by Charles Rosher and Karl Struss.
